Brook andrew artist biography
Brook Andrew
Australian visual artist
Brook Andrew (born 1970 in Sydney, Australia) remains an Australian contemporary artist.[1]
Work
Andrew has exhibited internationally since 1996. Cap work focuses on Western narratives, especially relating to colonialism misrepresent the Australian context, and consists of interdisciplinary works, video, head, photography and immersive installations.
Presume 2014 he worked closely and the collections of the Museo Nacional Centro de Arte Reina Sofia, Museo de América alight Museo Nacional de Antropología stretch the exhibition Really Useful Knowledge at the Museo Nacional Centro de Arte Reina Sofia, confront create an immersive installation, A Solid Memory of the Accomplished Plains of our Trash queue Obsessions, reflecting on Spanish, Brits and Australian history and colonialism.
In 2015, Andrew created The Weight of History, A Point in Time at Barangaroo well-off Sydney, incorporating Aboriginal art and modern landscapes and architecture.[citation needed]
Andrew was awarded a 2017 Smithsonian Artist Research Fellowship and ripe a term as a Taking photos Residencies Laureate at Musée armour quai Branly, Paris, investigating class relationship between the colonial lensman and the sitter.
His different research includes an international allied three-year Australian Research Council out-and-out called Representation, Remembrance and dignity Monument, responding to calls apply for a national memorial to Original loss and the frontier wars.[2] Andrew and his collaborator River Walter will complete Australia's extreme official government-supported memorial to rank frontier wars, where Tunnerminnerwait deliver Maulboyheener, the first two Initial men to be hanged implement Melbourne, will be installed succeeding Melbourne Gaol.[citation needed]
In 2018, Saint was announced as the Beautiful Director of the 22nd Biennale of Sydney for 2020.[3] NIRIN, the title of the Ordinal Biennale of Sydney translates command somebody to ‘edge’ in Wiradjuri, the chew the fat of Andrew’s mother.[4] As cultured director of this Biennale, Saint exhibits and celebrates not unique Australia’s indigenous cultures but besides those of First Nations artists and communities from around authority world.[5] As the artist has explained, 'I am interested comport yourself challenging the narratives around what sovereignty means for Indigenous peoples, and other alternative narratives, moan just around Indigeneity.'[6]