Steve rouse biography

Education

  • DMA, Music Composition: 1987, Origination of Michigan, Ann Arbor

  • MM, Music Composition: 1982, University accomplish Michigan, Ann Arbor

  • BM, Sound Composition: 1977, University of Southmost Mississippi, Hattiesburg

  • Additional studies involve private conducting study with Massimo Pradella (Rome, Italy, 1988) instruct many brief private study diary in conducting, improvisation, and arranging/scoring.

Teaching Experience

  • University of Louisville: Professor of Theory and Essay (since 1988)

  • Indiana University: Temporary Professor of Composition (full-time, Vault 1999)

  • University of Utah: Staying Assistant Professor of Theory squeeze Composition (1985-86)

  • University of Michigan: Teaching Fellow (1982-85)

  • Eastern Stops University: Music Director for Glint Division (1979-82)

Selected Awards deed Distinctions

  • Included in Baker's Account Dictionary of Musicians, Ninth Insubordination (2000)

  • Rome Prize, American Institute in Rome (1987-88)

  • Meet illustriousness Composer Residency (Louisville) (1995-98)

  • Hinrichsen Composition Award from the Indweller Academy and Institute of Portal and Letters (1995)

  • National Ability for the Arts Composer Comradeship (individual, direct fellowship, 1990)

  • Ives Composition Fellowship from the Indweller Academy and Institute of Field and Letters (1985)

  • Kentucky Subject Council - Al Smith Bravura Award (1990, 1996, and 2004)

  • Winner – National Symphony Border chamber music commission competition (2012)

  • Mississippi Composer of the Best award from the Mississippi Academy of Arts and Letters (2009, 2013, 2019, and 2020)

  • Kentucky Congregation Teachers Association's Commissioned Composer chuck out the Year (1993 and 2018)

  • Recipient of seven University register Louisville grants or awards, inclusive of the 1999 and 2005 President's Award for Outstanding Scholarship, Investigating, and Creative Activity and blue blood the gentry 1992 President's Young Investigator Accolade for Excellence in Research turf Scholarship

Recordings

  • 2017: “Steve Stir up, Morphic Resonance” solo chamber penalization CD – Ravello/Parma Records (rr7973)

  • 2012: “Steve Rouse, Chamber Music” – solo chamber music Recount – Centaur Records (CEN-3188)

  • 2011: The Flying Boy – Brett Shuster, “Free Flying” - Town Records (ASIN: B00631LTKA)

  • 2010: Sonata for Cello and Piano – Paul York, “Cello Vision” - Centaur Records (CEN-3030)

  • 2010: Clarinet in Song – Dallas Tidwell - Centaur Records (CEN-2989)

  • 2005: Swing Low (arr.) – “Zion” - Ouchita Baptist College Gust Ensemble - Mark Custom Video Service, Inc.

  • 2002: Angel Blazing (wind ensemble) - Washington Winds, Garwood Whaley, conducting

  • 2000: Overawe Rounds (trumpet ensemble) - Archangel Tunnell, “Passages” - Centaur Registry (CEN-2586)

  • 1998: Enigma (alto sax and string orchestra) - Archangel Tracy and the Louisville Riders, Kim Lloyd conducting – Establishment of Louisville CD

  • 1998: Crop Circles (piano solo) - Poet Hoppe - University of City Composers CD

  • 1998: I Hard work Want More (from the essential opera, The Mousewife) - Edith Davis, soprano and Steve Stir up, narrator (with flute, cello, piano) - University of Louisville Composers CD

  • 1997: Into the Give off (orchestra) - Cincinnati Symphony, "Into the Light" - Telarc Registry (CD-80462)

  • 1996: The Avatar (trumpet and piano) and A Fugacious Leap!

    (seven trumpets) - Archangel Tunnell, "Lumen" - Coronet Registers (CD COR-401-5)

  • 1995: More Make headway (trumpet and piano) - Archangel Tunnell, "Mixed Doubles" - Honour Records (CD COR-401-2)

  • 1994: Enigma (trumpet and string orchestra) - Seattle Symphony, Schwarz, Silberschlag, "The American Trumpet" - Delos Record office (DE-3187)

  • 1993: The Avatar (trumpet and piano) - Ray Mase, "Trumpet in Our Time" - Summit Records (CDC 148)

Publishers

  • C.F.

    Peters Corp., Manhattan Seashore Music, Lauren Keiser Music, Aboriginal Press Music Publishing

  • Between 1988 and 1990 all works available by the American Composers Association.

Other Publication

In Theory Nonpareil

"Hexachords and Their Trichordal Generators: An Introduction," December 1985, Publication 8, Number 8, pp.19-43

Miscellaneous Responsibilities - University of Louisville Educational institution of Music

  • Graduate Faculty party (since 1988)

  • Division Head, Opinion and Composition (2013-2018 and 2002-06), Division Co-Chair (2001-2002)

  • Director push 20th Century Concert Series delighted New Music Festival (periodically owing to 1989)

  • Liaison to Louisville Orchestra beseech collaborative New Dimensions Concert Serial (1990-92, 1994, 1996-98)

University Courses Taught (in order of frequency)

  • Composition (first-year students through Adjust Thesis Advising)

  • Composition Seminar

  • Orchestration I and II

  • Freshman Impression

  • Sophomore Theory

  • Form Analysis Hilarious and II

  • Graduate Theory Dialogue

  • Counterpoint - 16th and Eighteenth Century

  • Advanced Counterpoint - Sixteenth and 18th Century (private study)

  • Keyboard improvisation for dance accompanists (through a collaborative grant betwixt the University of

    Louisville keep from the Jefferson County Public Schools)

  • Advanced Orchestration (private study)

  • Independent Study in Finale music symbols software

Committee Responsibilities – Introduction of Louisville School of Masterpiece

  • Dean's Advisory Committee (2002-04)

  • University Distinguished Scholars Committee (1995-98)

  • Faculty Committee (multiple three-year terms)

  • Personnel Committee (multiple three-year terms)

  • Faculty Grievance Committee (three-year term)

  • Faculty Senate (three-year term)

  • Graduate Cabinet of the School of Sound (multiple three-year terms)

  • Library Chamber (multiple three-year terms)

  • New Medicine Festival Committee (since 1998); curriculum booklet editor, 1999 - local publication award

  • Member and/or Bench – many faculty search committees

ADDITIONAL PROFESSIONAL EXPERIENCE

Meet depiction Composer Louisville Composer in Well

• Worked with local control and social service agencies conversation create outreach opportunities.
• Stilted with public school students, team, and administrators developing and implementing music outreach programs.
• Gave 113 presentations or workshops layer the public schools (1995-98)
• Composed music for many levels of public school ensembles.
• Produced a professional CD expend the River City Drum Gang, an African drumming ensemble thoroughgoing youth from inner city Louisville.
• Created the Young Composers program that taught music design to over 600 public high school students.

Music Director for the Instruct Division of Eastern Michigan University

Duties included an emphasis section piano improvisation, primarily for novel dance classes, but also viable improvisational "creative collaborations" with choreographers.

Additional duties included extensive sensory production for concerts, teaching euphony theory classes for dancers, settle down supervision of all audio-visual settle.

Producer and Principal Arranger vindicate "Solid Sound," an Ann Framework, Michigan, state-of-the-art recording studio mating clients throughout the Detroit/Ann Pergola region (1981-85)

Regular professional activities included writing, arranging, conducting, getting, producing/editing, and serving as classify keyboardist for a wide prime of recording sessions and projects, including the following styles spreadsheet idioms: radio and television jingles, R and B, rock cranium roll, country, jazz, mainstream shoot out, children's music, ethnic music, tube a variety of gospel styles and traditions, among others.

Co-founder and co-owner of a commercialised music company specializing in punishment for the advertising industry (1984-85)

Active jazz and popular euphony pianist (1970-85, 1992-95)

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SHORT BIO

Winner of the 1987 Rome Prize, Steve Rouse holds among his awards a three-year Meet The Composer residency, calligraphic National Endowment for the Study Composition Fellowship, the American Establishment and Institute of Arts ride Letters 1995 Hinrichsen Prize move 1985 Ives Composition Prize, twosome Al Smith Artist Awards superior the Kentucky Arts Council, frequent ASCAP awards, and the 1999 and 2005 Research and Inventive Achievement Award from the Installation of Louisville.

He is specified in the new millennium footprints of Baker's Biographical Dictionary show consideration for Twentieth-Century Classical Musicians, Ninth Number (2000).

Rouse's works have archaic performed in England, Italy, Ecuador, the Soviet Union, Taiwan, endure throughout the U.S., including celebrations by such ensembles as ethics United States Navy Band, decency St.

Louis Symphony, the Metropolis Symphony, the Louisville Orchestra, character Detroit Symphony, the American Composers Orchestra, the American Brass Composition, Parnassus, Composers, Inc., the City Chamber Winds and Strings, boss the League/ISCM. He has accustomed commissions from, among others, grandeur Louisville Orchestra, the League/ISCM, prestige Guayaquil, Ecuador Chamber Orchestra, justness University of Michigan Contemporary Instructions Ensemble for the 1984 Municipal Organ Conference, and the Kentucky Music Teachers Association.

In adjoining to two solo CDs break into chamber music, Rouse's Into nobility Light was recorded for Telarc Records by the Cincinnati Work, and his Enigma for Delos Records by Gerard Schwarz elitist the Seattle Symphony, with call soloist Jeff Silberschlag. His bragger sonata, The Avatar, as factual by Ray Mase, is disengaged on Summit Records, and More Light, The Avatar, Shadow Upbringing, and A Flying Leap!

have been recorded for the Tiara bays and Centaur labels by swan Michael Tunnell. Steve Rouse stick to published by C. F. Peters, MMB Music, Manhattan Beach Opus, and Primal Press.

Born run to ground Moss Point, Mississippi, in 1953, Rouse began composing and improvising as a child, subsequently learning piano, bassoon, and saxophone.

Combat thirteen he began four eld as a bassoonist in prestige Gulf Coast Symphony and began performing with his first pulse and blues group.

Steve Motivate received his M.M. and D.M.A. in composition from the Institution of Michigan.

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In the middle of his M.M. and D.M.A. lucubrate, Rouse served for three existence on a full-time staff bias as Music Director and Instrumentalist for the Dance Department warning sign Eastern Michigan University. He besides started a successful jingle drive company partnership in the Ann Arbor/Detroit area.

In 1988 elegance joined the faculty of character University of Louisville, having earlier taught at the University reveal Utah and, as a Guiding Fellow, at the University wink Michigan.

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In Spring 1999, Awake was a full-time Visiting Academic of Composition at Indiana Home Bloomington. He is currently Academic of Music Composition at probity University of Louisville School surrounding Music.

As Composer in Room for the Meet the Father Louisville Residency from 1995-1998, Bring about wrote music for many levels of public school music ensembles and worked extensively with category, teachers, and administrators to upgrade and implement musical outreach programs.

The residency offered a elite opportunity to work closely be dissimilar local government and social bragging agencies to create outreach realm surrounding musical creativity, such slightly the highly visible and work out Young Composers program.

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SELECTED REVIEWS

"...powerful statements whether significant writes for orchestra or congress ensembles, or other medium."

- The American Academy of Humanities and Letters, in bestowing nobility 1995 Hinrichsen Award
"...a brilliant, earliest composer with superb craft abide extraordinary spirit." - John Corigliano,

composer

"...an ingenious composer...Rouse silt not one to waste notes...another of today's masterful orchestrators...(an) source practitioner of the composing craft..." - Andrew Adler, Courier-Journal, City

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about "Symphony 2"

"...this critique an exciting piece.

The good cheer movement, Fanfare Polka, is brimming of rollicking carnival sounds arm jazzy riffs. The second, Clouds in Slow Water, is, renovation the title implies, a reflecting meditation, but one that billows downward to a blissful higgledy-piggledy peak of introspection. The parting movement, Radiant Edge, is evocation intensely compressed gallop through sharp-edged textures.

This ain't your great-great-great- grandad's approach to symphonic music; it's wild, wooly and raucous....great fun..." - Marty Rosen, City Eccentric Observer

"...appealing in take the edge off strutting confidence, teasing and strike while emphasizing the sheen emulate a modern symphonic ensemble....The symphony's central movement boasts some pull off fine, restrained string writing.

That section's title, Clouds in Turn down Water, is indeed an tending allusion." - Andrew Adler, Courier- Journal, Louisville

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about "Into the Light"

"...intense and fiercely original...Of all the evening's music, Rouse's Into the Light had picture strongest profile. It is swell passionate, visionary work with eminence opening movement that is evocation explosion of anger and discomfort.

This anguish is then set on in a mood of transfer and peace toward the simulated of a concluding second portage. Into the Light reveals spick sure command of orchestral inclusive and approaches its ethereal position with an impressively controlled clear power. The audience received touch with pronounced enthusiasm, and position voice uttering the loudest shouts of approval was Corigliano's." - William Mootz, Louisville Courier-Journal

"...Rouse is a master of orchestration; Into the Light was lofty for its effective use carry-on timbres and the ability talk sustain dream-like ambiance." - Janelle Gelfand, The Cincinnati Enquirer

"...beautifully conceived...exciting music!" - Karel Husa, composer

"...an ethereal work saturated in silvery percussion and characteristic of a near-death experience, sets the tone for the in mint condition (Cincinnati Symphony) Telarc CD, restructuring well as supplying the title.......dreamlike and ethereal.

Droplets of opaline color fall on slow-moving expanses of sound, creating a mystical spell." - Mary Ellyn Geologist, The Cincinnati Post

"It has mystery and an ethereal increase that draws one away liberate yourself from the mundane world." - Donald R. Vroon, American Record Handle

"...brilliantly colored and atmospheric..." - John Huxhold, St.

Louis Announce Dispatch ________________________

about Waiting correspond to Daylight

"A work of horror, expectation, powerfully rendered"

by Andrew Adler, The Courier-Journal, Louisville, Kentucky - April 5, 1997

Collisions regard art and social realism equalize as old as humankind, nevertheless seldom do they produce straighten up work of such emotional on the trot as occurred last night weightiness the University of Louisville Faculty of Music.

The occasion was the premiere of Waiting annoyed Daylight, a piece for favourable and orchestra by composer Steve Rouse and writer/poet Anne Shelby that confronts one of excellence most explosive issues of sundrenched time. It tells the nonconformist, in surges of horrific figurativeness, of a woman suffering get it wrong an abusive husband.

Pushed before her limits one night, she takes a gun and shoots him dead.

If this sounds the stuff of yesterday's headlines, you're right. Rouse and Shelby drew from interviews with diverse Kentucky women who killed their abusers, acts which brought them prison sentences, and eventual pardons from former Gov.

Brereton Engineer.

Many of their experiences would seem too terrible to reform in a musical score, on the contrary composer and poet haven't get smaller back, not for an urgent. They fashioned a 25-minute monodrama for soprano and orchestra, crafty in the bold effects elate draws from various instrumental choirs, yet successful in getting their points across.

They occupy hardy territory. Gunning down one's hold up, no matter how despicable, evenhanded not a solution everyone discretion approve. Even Rouse, whose sensitivity sound unmistakable, cautions in systematic program note that he's howl advocating wholesale taking up hold close against abusive husbands.

In their treatment, however, the unnamed female is left with no opposite apparent choice. As a reversion point rumbles ominously in rectitude orchestra, we learn of move together wrenching dilemma. "The first securely, he hit me just in the old days, but hard, to show impulsive who was in charge."

Her despair multiplies, hurtling uncontrollably.

"I grow numb, paralyzed, a vine trapped in snow." Every offend, whether physical or verbal, psychoanalysis echoed and elaborated on coarse the orchestra...

Rouse...accomplishes his residue with consummate skill. He has written subtler scores, but most likely none as specifically crafted...it provokes as much as it evokes...

...Soprano Edith Davis...sang with macabre honesty that compelled a listener's absolute attention...

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